My first ever Bookzest Day was a rousing success (and by “rousing,” I mean “very quiet and placid, but gratifying”). For ease of book selection, I began the day by sorting my Book Mountain into four more manageable Mini-Mountains: one for nonfiction, one for fiction, one for magazines, and one for miscellany (books of poetry or quotes, books of photography or illustration, etc.). This is what they looked like:
I mostly focused my efforts on the Miscellany pile, and got through 1 full-length graphic novel, 2 illustrated books, 3 photography books, and 1-3 articles apiece from 9 magazines.* Although some of these were shorter reads, I figured they were a good place to focus my energies this time, since their hefty covers make them less conducive to casual bedtime reading.
I ended up reading for ~10 hours, which means that I both met and exceeded my goal of spending 2/3 of my waking hours ensconced in books. Hoorah! Of course, my reading quest will never be done. Near the end of the day, my housemate wandered by with a pile of her old college books, and asked if I was interested in any of them… so I accidentally added three new books on Central American indigenous mythology/history to my Nonfiction Mountain (but how could I say no to that?).
I find it a little sad and strange that “reading all day” has become such a rarity/novelty in my life, but I’m glad that I’ve found a coherent way to confront the issue. Henceforth, I am going to try to start doing a Bookzest Day on a monthly basis—or perhaps even twice monthly, if I get ambitious. (Do you have a spare day? Try it yourself! At least one friend of mine joined in this time, and she was very successful.)
*Complete reading list, for the silly folks who like details (in chronological order, no less): How to Tell If Your Cat Is Plotting to Kill You (Matthew Inman); ZooBorns (Andrew Bleiman & Chris Eastland); Are You My Mother?: A Comic Drama (Alison Bechdel); Nonsense Botany & Nonsense Alphabets (Edward Lear); Rare: Portraits of America’s Endangered Species (Joel Sartore); Katharine Hepburn: A Life in Pictures (Pierre-Henri Verlhac); and then assorted articles from my backlog of issues of National Geographic Magazine, Nature Conservancy Magazine, Audubon Magazine, Curve Magazine, and Paste Magazine.